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Sounds of Renaissance Florence

Anchored by a stunning chant manuscript (the Burke Antiphonal), the film seeks to recapture the soundscape of fifteenth-century Florence through a special collaboration between Cut Circle and Stanford students. Gorgeous visual imagery and discussions of liturgy, book making, and vocal technique are interwoven with full-blooded performances of chant, non-notated polyphony, motets, and rowdy carnival songs. Released in 2021.

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Artists

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Jonas Budris

Tenor

Tenor Jonas Budris a versatile soloist and ensemble musician, engaging new works and early music with equal passion. He has performed, toured, and recorded with Cut Circle since 2014, and can be heard on their recent recordings, including JOSQUIN: I. Motets & chansons, Messes anonymes, and Johannes Ockeghem: The Songs. He has also enjoyed singing with the Handel and Haydn Society, Blue Heron, Boston Baroque, Pegasus Early Music, The Thirteen, and the Skylark Vocal Ensemble.

Mr. Budris is featured in multiple Grammy-nominated recordings, including It’s a Long Way (Skylark Vocal Ensemble) and Il ritorno d’Ulisse in patria (Boston Baroque). He can be heard in Blue Heron’s album Music from the Peterhouse Partbooks, which received the British Gramophone Award for Early Music. On the opera stage, he has performed principal and supporting roles with Opera Boston, OperaHub, Odyssey Opera, and Guerilla Opera, originating such roles as John in Giver of Light and the title role of Chrononhotonthologos. Other favorite roles include Acis (Acis and Galatea), Giovanni (La Hija de Rappaccini), and Henrik (A Little Night Music).

An avid performer of J.S. Bach’s vocal works, Mr. Budris was a featured soloist at the Blue Hill Bach Festival and the Portland Bach Experience, and he was an Adams Vocal Fellow at the 2018 Carmel Bach Festival. He sings frequently in Emmanuel Music’s concerts and weekly cantata series and has performed as Evangelist in Bach’s Saint Matthew Passion and Christmas Oratorio.

Originally from Martha’s Vineyard, Mr. Budris holds a degree in Environmental Sciences and Engineering from Harvard College.

Bradford Gleim

Baritone; Artistic Advisor

Bradford Gleim uses the human voice to create authentic connection. As an artist and mentor, he delves deeply into repertoire spanning 600 years, embracing a flexible vocal technique and sometimes unfamiliar approaches in the pursuit of emotionally attuned performances.

Mr. Gleim’s artistic commitment and risk-taking have won him wide recognition. Praised by the Boston Globe for his “voluminous baritone” and “brilliant delivery,” he performs throughout the United States and Europe. On the concert stage he has appeared with leading ensembles and in distinguished festivals including the Handel and Haydn Society, Tage Alter Musik (Regensburg), Boston Baroque, San Francisco Early Music Society, Emmanuel Music, The Borromeo String Quartet, Laus Polyphoniae (Antwerp, Belgium), Floremus (Florence, Italy), and with Boston’s spirited conductorless orchestra A Far Cry. He was featured soloist with Craig Hella Johnson and Conspirare on the 2015 Grammy Award-winning album The Sacred Spirit of Russia.

In his role as singer and Artistic Advisor, he has helped the vocal ensemble Cut Circle find a new sound for Renaissance music that is hearable on the albums Johannes Ockeghem: Les Chansons (2020), Messes Anonymes (2021), and JOSQUIN: I. Motets & Chansons (2023), the first in a series devoted to the complete works of Josquin des Prez.

A proponent of new music, Mr. Gleim collaborates with living composers to bring life to their works, having most recently sung Rick Sowash’s Harvest of a Quiet Eye with the Harvard Radcliffe Chorus and premiered Grüße Bruno ~ Briefe aus Stalingrad (Best Regards Bruno ~ Letters from Stalingrad) by Ralf Gawlick.

Bradford Gleim mentors others to discover their embodied voice. Moving fluidly among heterogeneous vocal techniques and pedagogical traditions, he helps musicians access not only a variety of vocal colors, but also their potential for healing, personal growth, and body awareness. Mr. Gleim guides singers in the Holden Voice Program at Harvard University, in the Applied Music Program at Brown University, and as Associate Professor of Voice at Berklee College of Music. He leads workshops and masterclasses, and offers unique intuitive instruction for vocalists in his private studio.

More Videos

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Missa Gross senen, Confiteor (from the album “Missa Gross senen / Missa L’ardant desir”)
S’elle m’amera / Petite camusette (from the album Johannes Ockeghem: The Songs)

Design by Austin Boyer

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