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Reviews

Critical responses to Cut Circle’s concerts and recordings.

Early Music America · April 8, 2024

Cut Circle’s Josquin, Dramatic and Revelatory

When it comes to music of the Renaissance, Josquin des Prez is about as close to a household name as might be possible. Certainly, his works do not want for attention in modern…

Gramophone · December 4, 2023

EDITOR’S CHOICE (JOSQUIN: I. Motets & Chansons)

This is gloriously invigorating early music singing from Cut Circle, a survey of music by Josquin presented with precision, personality, individuality and yet also an attractive sense…

Early Music America · January 10, 2022

Cut Circle Scores Anew in Anonymous Masses

Last March, I had the pleasure of reviewing the then-latest release from acclaimed American ensemble Cut Circle — a fantastic double-disc tour through the songs of Johannes Ockeghem…

Crescendo Magazine · December 13, 2021

Superb Reconstruction of Two Anonymous Renaissance Masses

At first glance, one might think that Musique en Wallonie’s new album, devoted to premiere performances of two anonymous masses composed in the last third of the fifteenth century, is…

Early Music America · March 29, 2021

Ockeghem Chansons Bring Out Cut Circle’s Best

Since their debut almost 20 years ago, the eight-voice ensemble Cut Circle has not lacked for critical acclaim, given rightly for both their quality of performance (Diapason d’Or) and…

Giornale della musica (Italy) · January 18, 2021

A Fresh Look at Ockeghem’s Songs

The ensemble Cut Circle, directed by Jesse Rodin, comes to grips with the songs of the Franco-Flemish composer. Ockeghem occupies a special place among Franco-Flemish composers of the…

Toccata Magazine (Germany) · January 14, 2021

CD of the Month (Johannes Ockeghem : Les chansons)

It is astonishing and fascinating that two vocal ensembles have simultaneously recorded Johannes Ockeghem’s manageable songs and published them on CD, especially since we know this…

Gramophone · January 4, 2021

EDITOR’S CHOICE (Johannes Ockeghem : Les Chansons)

This is pathbreaking. Certainly Cut Circle are not the first to sing late 15th-century songs without instrumental participation. The Orlando Consort did it for two discs of Loyset…

Fanfare (USA) · January 1, 2021

Ockeghem

… It is important to read Rodin’s notes first, for he makes it clear that these are not the bland performances that are so often heard in early music. It’s good to be prepared for the…

Le soir (Belgium) · December 16, 2020

Ockeghem Chansons

This double CD is destined to revolutionize the interpretation of Ockeghem’s songs (24 in all), skillfully cast in the form of virelais and rondeaux, leaving the performers free to…

Medioevo (Italy) · December 4, 2020

Songs Full of Pathos

SONGS FULL OF PATHOS Cut Circle Engages Brilliantly with the Chansons of Johannes Ockeghem A singular figure in musical culture during the second half of the fifteenth century,…

Ruch Muzycny (Poland) · November 15, 2020

New Releases

Cut Circle is an excellent American group specializing in repertoire from the turn of the middle ages and the Renaissance, and led by Professor Jesse Rodin at Stanford University.…

MusicWeb International (UK) · November 1, 2020

Johannes Ockeghem: Les Chansons

The chansons of Johannes Ockeghem are gems. In an attempt to bring this music to life, Cut Circle made the decision to bring the microphones up close, as if to intensify the…

BR Klassik (Germany) · November 1, 2020

Cut Circle Sings Ockeghem

It begins with a bloodcurdling outcry—this new complete recording of Johannes Ockeghem’s chansons. The ensemble Cut Circle arouses great emotions—and zooms us very close to a strange…

Goldberg Foundation (Germany) · October 18, 2020

Ockeghem Chansons

Simply the most perfect recording I have been waiting for for decades! Perfectly intelligible rendering to the texts where you can not only realize the beauty of the poetry but also…

SWR2 (Germany) · October 8, 2020

New CDs

“L’autre d’antan” – “Someone from yesteryear passed by the other day / And in passing pierced me / With a glance forged in Milan.” It’s obviously not a good idea to eat cherries with…

Diapason d’Or · October 6, 2020

Diapason d’Or for Guillaume Du Fay : Les messes à teneur

Recorded at the Church of the Redeemer, Chestnut Hill, Massachusetts (USA) by Seth Torres in January and August 2014. Arranged in a curved formation, the eight voices are close and…

San Francisco Classical Voice (USA) · February 12, 2019

Cut Circle and Love in the 15th Century

Cut Circle is the name of an eight-voice vocal ensemble, led by Jesse Rodin, that specializes in the music of the 15th-century master composers of the Franco-Flemish School: Guillaume…

Gramophone (UK) · July 4, 2016

DUFAY, Les Messes à Teneur

This is a red-letter day: at last we have uniform and sensible recordings of the four great cantus firmus Masses that are more or less all we have from the last 20 or so years of…

Fanfare (USA) · July 1, 2016

Review of Du Fay

We now have nine Masses on records that are attributed to Guillaume Du Fay (1397-1474), not counting the anonymous Missa Caput (Fanfare 20:4, now on Helios) which was published as his…

MusicWeb International (UK) · June 1, 2016

Review of Du Fay

This two-disc set is such a good idea and I can’t imagine why no-one had thought of it before. These masses are late works in the sense that they seem to date from after 1450 and all…

Mittelbayerische.de (Germany) · May 16, 2016

Shoulder to Shoulder in Front of the Choirook

REGENSBURG: It is an image that attendees of the night concert on Pentecost Sunday in the Dominican Church will remember: the vocalists from Cut Circle (USA) standing shoulder to…

BR-KLASSIK (Germany) · May 4, 2016

Four Tenor Masses

Born around the year 1400 and trained as a choirboy at the Cathedral of Cambrai, the famed Dufay initially composed isorhythmic motets – in the austere sonority and hierarchically…

Rondo Magazine (Germany) · April 23, 2016

The Four Tenor Masses

All the tenor masses of Guillaume Dufay—the masses in which a “foreign melody” is the pre-existent axis of the composition—in a two-CD set: this is a great idea, especially for the…

Early Music America · April 1, 2014

Review of De Orto et Josquin

To better understand the master Josquin des Prez (c 1450/1455-1521) and his unique style, the Renaissance vocal ensemble Cut Circle, under the direction of Stanford professor Jesse…

All Music (USA) · September 1, 2013

Review of De Orto et Josquin

This handsomely bound CD release (also available as a digital download, but here the CD version is the choice) is in turn a companion to a larger opus, a musicological work about the…

La Libre (Belgium) · December 28, 2012

Music en Wallonie [review of “De Orto and Josquin”]

Despite the collapse of the record industry and the marginalization of scholarly music, the small label “Music en Wallonie” holds strong! A “niche” label, focused not on the…

Le Soir (Belgium) · December 21, 2012

The Wallonian Renaissance

It is known that Josquin Desprez was a singer in the Sistine Chapel from 1489 to 1494. It was Sixtus IV who erected it in 1475, a huge Chapel with the presumed dimensions of Solomon’s…

San Jose Mercury (USA) · April 23, 2009

Drifting Along with Renaissance Octet Cut Circle

Listening to the superfine, Renaissance vocal octet known as Cut Circle the other night, my mind drifted, happy, lazy and somehow alert, all at once. What sounds! A famous musical…

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