The second entry in Cut Circle's complete Josquin cycle focuses on sacred music from before 1490. The level of Josquin's compositional prowess, even during what seems to have been his first working decade as a composer, is simply astonishing.

Cut Circle brings a fresh approach to motets and songs by the Prince of Musicians

A new sound for complex polyphony

Cut Circle teams up with Stanford students for a short film exploring the soundscape of fifteenth-century Italy

Intimate, emotionally committed performances of some of the world's most compelling songs

Landmark recording of Du Fay's four late masses: Se la face ay pale, L'homme armé, Ecce ancilla domini, and Ave regina celorum

In a space that overlooked frescoes by Botticelli and Perugino, singer-composers gathered around enormous choirbooks to perform one another's masses, motets, and hymns. Cut Circle's recording aims to capture the soundscape of the Sistine Chapel as Josquin knew it.