Cut Circle brings a fresh approach to motets and songs by the Prince of Musicians

A new sound for complex polyphony

Cut Circle teams up with Stanford students for a short film exploring the soundscape of fifteenth-century Italy

Intimate, emotionally committed performances of some of the world's most compelling songs

Landmark recording of Du Fay's four late masses: Se la face ay pale, L'homme armé, Ecce ancilla domini, and Ave regina celorum

In a space that overlooked frescoes by Botticelli and Perugino, singer-composers gathered around enormous choirbooks to perform one another's masses, motets, and hymns. Cut Circle's recording aims to capture the soundscape of the Sistine Chapel as Josquin knew it.