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Reviews

A Fresh Look at Ockeghem's Songs

Giornale della musica (Italy)

Radically different . . . [Cut Circle] challenges the predominant sonic aesthetic.
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CD of the Month (Johannes Ockeghem : Les chansons)

Toccata Magazine (Germany)

It is to the great credit of Cut Circle that they take this accumulation of strong feelings very seriously . . . with great individual, expressive, sometimes idiosyncratic expression, [giving] each individual song its own color and shape. With its flexible vocal technique, the ensemble more than does justice to the vocal–technical brilliance and emotional depth of the music.
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EDITOR'S CHOICE (Johannes Ockeghem : Les Chansons)

Gramophone

This is pathbreaking. Sung with beautiful balance and intonation . . . the tempos are perfectly judged . . . sets new standards for the recording of such music and will be a model for many more to come.
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Ockeghem

Fanfare (USA)

Don’t pass up this monument of the early Renaissance. It is a highlight of the year.
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Ockeghem Chansons

Le soir (Belgium)

Destined to revolutionize the interpretation of Ockeghem's songs . . . breathtaking modernity.
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Songs Full of Pathos

Medioevo (Italy)

Cut Circle is a "rare pearl" in the panorama of American early music groups. This valuable recording confirms the ensemble's high standard and artistic maturity.
...
Excellent enunciation . . . [a] vocal approach . . . both linguistically correct and far from any sort of preciousness. . . . Also outstanding is the choice of acoustic.
...
Cut Circle engages brilliantly with the songs of Johannes Ockeghem. . . a passionate reading of his complete chansons.
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